
Twice the Thrill with Scottish Ballet
Two thrilling works by two exciting dance-makers kick off Scottish Ballet’s autumn programme.
Two thrilling works by two exciting dance-makers kick off Scottish Ballet’s autumn programme.
Review: National Theatre’s critically acclaimed adaptation of Neil Gaiman’s The Ocean at the End of the Lane has arrived at Glasgow’s King’s Theatre as part of its 2023 UK tour.
Review: Pedro Calderón de la Barca’s 1636 comedy Life Is a Dream gets a playful, surreal treatment that toys with our sense of reality in Edinburgh International Festival’s Lyceum production.
Review: Unchanged, Jake Bugg’s basic approach has the Edinburgh crowds loving his set of song-nuggets in his International Festival outing at the city’s Playhouse.
Review: Cellist Abel Selaocoe performs a dazzling solo showcase of the seemingly-limitless depth of his talent, and the sonic possibilities of his instrument, at Edinburgh International Festival venue The Hub.
Review: Premiered in 1944, Michael Tippett’s A Child of Our Time mixed musical and cultural traditions to devastating effect in an all-embracing, ambitious oratorio, now performed as part of this year’s Edinburgh International Festival by Sir Andrew Davis, RSNO and Edinburgh Festival Chorus.
The Brunton Theatre is taking its long-standing and colourful contribution to Edinburgh’s Fringe Festival out and about in various places in the Musselburgh and Fisherrow area.
Review: Dublin-based band Lankum forge an atmospheric, at times near-terrifying beauty, inspired by dark folk tradition, at Edinburgh’s Queen’s Hall.
Review: American soprano Julia Bullock and pianist Bretton Brown perform a range of inspiring and empowering songs at Edinburgh’s Queen’s Hall.
Review: Vigorous European trio Amatis join baritone Thomas Quastoff at Edinburgh’s Queen’s Hall for stark vignettes from the Great War and beyond.
Review: Edinburgh International Festival: a production of Trojan Women deftly unites the old and the new, east and west, emphasising the pain of war.
Review: Tenor Ilker Arcayurek stands-in for Gunther Groissböck at short notice, but succeeds in wowing a sold-out Edinburgh International Festival Queen’s Hall audience.
Review: Christiane Jatahy’s Edinburgh International Festival production at the Lyceum Theatre ‘Dusk’ attaches a disturbing contemporary relevance to the themes in Lars Von Trier’s movie ‘Dogville’.
Review: Bracing performances from Stefan Jackiw on violin and top-flight musical friends make for an invigorating experience at Edinburgh’s Queen’s Hall.
Review: Edinburgh International Festival: Cécile McLorin Salvant leads us on a murderous musical journey, while posing some serious questions.
Dunedin Consort has launched its 2023-24 season with a brochure featuring fifteen newly-commissioned artworks by Kirsty Matheson, representing the pieces the Ensemble will perform.
At Edinburgh’s Traverse Theatre, this year’s Travfest celebrates sixty years of new writing and innovative theatre.
This summer Scottish Dance Theatre is connecting with communities around venues around Dundee & Angus, travelling by foot, bike and public transport.
Three productions at Edinburgh’s Royal Lyceum Theatre are playing this August as part of the city’s Fringe Festival.
Edinburgh composer and singer-songwriter Gareth Williams is to perform songs from his album based on that special place in literature, the last page of a book.
Classic storytelling by Noel Coward and Tennessee Williams is brought to Pitlochry Festival Theatre in Brief Encounter and A Streetcar Named Desire.
Shot through with brutal honesty, laddish humour and sadness, writer Eilidh Loan’s Moorcroft at Tron Theatre tackles toxic masculinity in Scotland head-on, asking ‘What is a real man?’
Scottish Ensemble has announced a 2023/2024 season full of the variety of international flavours.
St Margaret’s performance, arts and heritage centre in Braemar plays host to The Earthtones Trio, comprising three highly-accomplished musicians who offer an eclectic blend of original, classical and jazz pieces.